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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">documentation</journal-id><journal-title-group><journal-title xml:lang="ru">История и архивы</journal-title><trans-title-group xml:lang="en"><trans-title>History and Archives</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2658-6541</issn><publisher><publisher-name>Russian State University for the Humanities (RSUH)</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2658-6541-2020-1-75-85</article-id><article-id custom-type="elpub" pub-id-type="custom">documentation-197</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИСТОРИОГРАФИЯ, ИСТОЧНИКОВЕДЕНИЕ И МЕТОДЫ ИСТОРИЧЕСКОГО ИССЛЕДОВАНИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>HISTORIOGRAPHY, SOURCE STUDY AND METHODS OF HISTORICAL RESEARCH</subject></subj-group></article-categories><title-group><article-title>Античные образы в английской ренессансной историографии (на примере «Истории Генриха VII» Бернара Андре)</article-title><trans-title-group xml:lang="en"><trans-title>Images of Antiquity in English Renaissance historiography (on the example of Bernard Andre’s “History of Henry VII”)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Браун</surname><given-names>Е. Д.</given-names></name><name name-style="western" xml:lang="en"><surname>Braun</surname><given-names>E. D.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Елена Д. Браун, кандидат исторических наук, доцент</p><p>Москва, 119571, пр-т Вернадского, д.82; 125993, Москва, Миусская пл., д.6</p></bio><bio xml:lang="en"><p>Elena D. Braun, Cand. of Sci. (History), associate professor</p><p>bld. 82, Vernadskii av., Moscow, Russia, 119571; </p><p>bld. 6, Miusskaya Sq., Moscow, Russia, 125993</p><p> </p></bio><email xlink:type="simple">braun-helen@yandex.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Российская академия народного хозяйства и государственной службы при президенте РФ; &#13;
Российский государственный гуманитарный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian President Academy of National Economy and Public Administration; &#13;
Russian State University for the Humanities</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2020</year></pub-date><pub-date pub-type="epub"><day>26</day><month>03</month><year>2020</year></pub-date><volume>0</volume><issue>1</issue><fpage>75</fpage><lpage>85</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Браун Е.Д., 2020</copyright-statement><copyright-year>2020</copyright-year><copyright-holder xml:lang="ru">Браун Е.Д.</copyright-holder><copyright-holder xml:lang="en">Braun E.D.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://documentation.rsuh.ru/jour/article/view/197">https://documentation.rsuh.ru/jour/article/view/197</self-uri><abstract><p>Цель данной статьи – проанализировать античные образы, присутствующие на страницах «Истории жизни и достижений Генриха VII» Бернара Андре. Бернар Андре был удивительно интересным человеком. Несмотря на слепоту, он сумел сделать успешную карьеру при дворе Генриха VII Тюдора и получить как минимум три завидные должности – придворного поэта, королевского историографа и учителя наследного принца Артура. Анализ «Истории Генриха VII» показал – этот текст является прекрасным примером ренессансной риторики, античные мотивы служат основой, связующей нитью повествования. Бернар Андре использовал стереотипный набор греко-римских образов и метафор, зато делал это по-настоящему виртуозно. Античные мотивы позволяли ему расцветить банальный сюжет яркими красками, с такой «приправой» и проза, и поэзия звучали удивительно торжественно. Греко-римские образы и цитаты из античных авторов также давали поэту возможность изящно и незаметно для читателя заполнить пробелы в информации. Наконец, в высшей степени комплиментарный образ Генриха VII был прорисован в первую очередь с помощью емких, хорошо понятных аудитории сравнений с героями римской и греческой истории.</p></abstract><trans-abstract xml:lang="en"><p>This article analyzes the images of Antiquity used by Bernard Andre (1450–1522) in his “History of the Life and Accomplishments of Henry VII”. Bernard Andre was an extremely interesting person – he was blind but managed to make a successful career at the court of Henry VII Tudor. Andre received three enviable positions – of a court poet, a royal historiographer and the teacher of the Crown Prince. We can argue that Bernard Andre’s “History” is a perfect example of Renaissance thought – antique motives and metaphors were the basis, the connecting thread of this narrative. Bernard Andre used limited range of Greco-Roman images, but used them artfully. Images of Antiquity made his “History” sound proud and grand. Greco-Roman motives and quotation from ancient texts gave Andre opportunity to fill in information gaps. Finally, the extremely flattering image of Henry VII was created primarily by comparing the king with famous, familiar to the English audience, heroes of Roman and Greek history.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Бернар Андре</kwd><kwd>ренессансная историография</kwd><kwd>придворная культура</kwd><kwd>Генрих VII Тюдор</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Bernard Andre</kwd><kwd>Renaissance historiography</kwd><kwd>court culture</kwd><kwd>Henry VII Tudor</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Андре 2017 – Андре Б. История жизни и достижений Генриха VII / Пер. и коммент. Д.В. Кирюхина. СПб.: Центр гуманитарных инициатив, 2017.</mixed-citation><mixed-citation xml:lang="en">Andre, B. 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